Supergirl Movie Review: Milly Alcock Shines in a Disappointing DC Reboot (2026)

Let's dive into the world of DC's latest superhero offering, Supergirl, and explore why this film feels like a missed opportunity.

The Supergirl Dilemma

Supergirl, played by the talented Milly Alcock, is a complex character with a unique backstory. She's Superman's cousin, but her journey to Earth and the loss of her home planet Krypton have shaped her into a defensive, punk-rock persona. Alcock brings a certain charm to the role, but the film seems to struggle with finding its own voice, opting for a safe imitation of James Gunn's style, who directed the previous DC film, Superman.

A Lack of Cosmic Creativity

One of the most disappointing aspects is the visual aesthetic. While the source material, Tom King and Bilquis Evely's Woman of Tomorrow, boasts stunning cosmic imagery, the film adaptation falls flat. We're left with a dull, utilitarian setting, reminiscent of Gunn's Guardians of the Galaxy trilogy. It's a missed chance to explore the vibrant and diverse world of Supergirl.

The Need for Distinctiveness

DC's franchise seems to be at a crossroads. Copying Gunn's style might seem like a safe bet, but it lacks the creativity and uniqueness that superhero fans crave. Supergirl, with her traumatic past and complex personality, could have been a perfect vehicle for exploring these themes. Instead, we get a film that feels like a pale imitation, with only a few shining moments between Alcock and David Corenswet's Superman.

A Missed Feminist Angle

What's particularly intriguing is the film's attempt to tap into the 'girl power' trend. The riot grrl and noise-pop soundtrack, along with a cringe-worthy 'girl power' moment reminiscent of Avengers: Endgame, feel forced and out of place. It's a stark contrast to Cathy Yan's brilliant Birds of Prey, which delivered a powerful and authentic feminist message. Supergirl seems to be trying too hard to fit into a mold, missing the opportunity to offer a fresh and unique perspective.

The Challenge of Tone

Director Craig Gillespie, known for his work on films like I, Tonya and Cruella, seems to have struggled with finding the right tone for Supergirl. The film fails to reconcile its dark themes, such as human trafficking, with lighter, comedic moments. As a result, the villain, played by Matthias Schoenaerts, feels one-dimensional and lacks the necessary menace. Even Jason Momoa's charismatic presence as Lobo is underutilized.

A World for Supergirl

Despite these criticisms, Milly Alcock manages to shine through. Her portrayal of Supergirl, with its mix of aggression and vulnerability, is a highlight. It's a testament to her talent that she can carry the film. DC should take note and find a world that truly embraces and showcases Supergirl's potential.

In conclusion, Supergirl feels like a film searching for its identity. With a stronger script, a bolder visual style, and a clearer tone, it could have been a powerful addition to the DC universe. As it stands, it's a reminder that sometimes, less imitation and more originality is the key to a successful superhero film.

Supergirl Movie Review: Milly Alcock Shines in a Disappointing DC Reboot (2026)
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